The independent nightmare
With no budget to attend the Berlin Film Festival, I decided to…
THE REEL ESTAE: All hail the ignorant chief
Naturally, the recent string of remarkable Egyptian film releases had to come…
Indy theater artists converge on Alex for 5th Creative Forum
Alexandria is no longer a cosmopolitan city, Mahmoud Aboudoma, director of the…
A different vision of an Egyptian inferno
A day after the traumatic experience of Atonement finally started to wear…
THE REEL ESTATE: Trapped in her atonement
It's been a couple of days now since I watched Joe Wright's…
THE REEL ESTATE: Riding into the west
Near the end of 1991, I watched my first western film: "Dances…
THE REEL ESTATE: Alright Mr. DeMille, she's ready for her close-up
A few days ago, I watched Charles Chaplin's "Limelight for the first…
THE REEL ESTATE: The reigning king of a fake empire
Looking back at last year's Reel Estate articles, I realize now that…
ALBUM REVIEW: In the 21st century, they're still alive
On Oct. 10, I woke up at 6 am in frantic anticipation…