Zawya screens Lebanese ‘104 Wrinkles’
In a special tribute to the documentary that won several international awards,…
Beyond trends: How color choice affects film
While Pantone's "Ultra Violet" was declared the trend color of 2018, in…
Fragments of Broken Glass
In Elia Suleiman’s first feature film, Chronicle of a Disappearance (1996), he…
The Hurt Locker: how to use film to create pro-war propaganda?
Somewhere in Iraq, a soldier steps forward to disable a bomb, some…
‘The World’: a classic predicament of a globalised world
“The World” (Jia Zhangke, 2004) is a two-hour portrait of life at…
‘I, Daniel Blake’: breaking the chains of capitalism
“I, Daniel Blake” tells the story of a 59-year-old man (Dave Johns),…
US embassy, El Gouna Film Festival partner to bring American Film Showcase
The ultimate purpose of culture diplomacy is to build bridges between people,…
A politicised Cannes Festival reflects on immigration crisis
Some of the films can be considered explicit messages to world leaders…
Japanese Film Week revives Japan’s “taste of life”
In its 21st round, the program witnesses screening top-hit food-themed Japanese films
Cinedelta: a step towards reviving the documentary film industry in Egypt
Aiming to provide professional training to amateurs from around the Delta region…
